1950s helsingborg

Yesterday was a blast from the past - and I mean that in two ways. I took a step back to my '40s and '50s life a few years back during a trip to Helsingborg, and got terribly homesick. Pair this trip with the Carol soundtrack on loop and my red lipstick and perhaps you'll see why.

Helsingborg is home to the wonderful Ebbas Fik, a 1950s style cafe. You can order delicious homemade burgers and wedges (with the potato skins on) or a dazzling selection of fika items, and pay 1 kronor to pick a song on the jukebox. I chose The Hollies - I'm Alive, and truly, the place came alive in that moment. The two-tone custard yellow and turquoise walls were bedecked with movie posters, and adverts, and there were shelves full of books and records for your perusal (and your pennies; they were all for sale). I felt transported.

I wandered the streets. Sweden has frozen over again this week, yet the skies were a beautiful blue, and the sun cast long golden rays across the streets. Sweden is a strange country, in the sense that it is incredibly easy to lose sense of which era you're in. The architecture has a timeless quality to it, with most of its old buildings and cobbled streets intact, and it is not so difficult to imagine how the streets might have looked fifty, eighty, even a hundred and fifty years in the past.

The next stop on my rather brief tour was to Dunkers kulturhus to the exhibition Vivian Maier: Street Photographer. The life of Vivian Maier (1926-2009) is little-known and somewhat sad. Working quietly as a nanny for 40 years, a 'real, live Mary Poppins', she spent her free time taking over 150,000 photographs of life in Chicago and New York. Her body of work was never published in her lifetime, and many of the photographs were still in negative form, unprinted. One of the curators of her work, John Maloof, said of her that 'she was a Socialist, a Feminist, a movie critic, and a tell-it-like-it-is type of person... She was constantly taking pictures, which she didn't show anyone.' Like so many great artists, she was never aware of the impact of her life's work.

Self portrait, ca.1956

Self portrait, ca.1956

ca.1953-8

ca. 1953-8

ca. 1953-8